U-Boat vs Royal Navy Capital Ship

This insightful illustrated study investigates how the Royal Navy lost two battleships and three aircraft carriers to German U-boats during 1939–42.

During World War II, over half of Britain's capital ship losses were due to U-boats, as Germany's submarines sought to deplete the Royal Navy's powerful surface fleet. Featuring specially commissioned artwork and mapping alongside archive photographs, this study explains how Germany's submarines sank five of Britain's major surface vessels in four years of conflict at sea.

Aircraft carrier HMS Courageous was sunk by U-29 on 17 September 1939 during anti-submarine patrols. On 14 October 1939, U-47 penetrated the Scapa Flow defences and sank battleship HMS Royal Oak. On 14 November 1941, U-81 sank HMS Ark Royal as the aircraft carrier returned to Gibraltar. On 25 November 1941, U-331 sank HMS Barham off Egypt. The final British capital ship to be sunk by German submarines was carrier HMS Eagle, torpedoed by U-73 en route to Malta on 11 August 1942.

In this book, Mark Lardas charts the origins, development and combat performance of the U-boats in the Kriegsmarine's efforts to attack British capital ships, and the Royal Navy's efforts to counter the submarine threat to its battleships, battlecruisers and aircraft carriers. As well as the five encounters that led to sinkings, he examines the 'near-misses' that saw Royal Navy capital ships get the better of the U-boats.

About the Author

Mark Lardas has always been fascinated by things related to the sea and sky. From building models of ships and aircraft as a teen, he then studied Naval Architecture and Marine Engineering, but his interest in aviation led him to take a job on the then-new Space Shuttle program, where he worked for the next 30 years as a navigation engineer. Currently he develops commercial aircraft systems as a quality assurance manager. He has written numerous books on military, naval or maritime history.

Edouard Groult grew up inspired by watching historical documentaries with his father and developed a fascination for historical and fantasy art. Following art studies in both Paris and Belgium he worked as a concept artist in the videogame industry and in recent years has also undertaken historical commissions while working as a freelancer for historical magazines. He lives and works near London.

Table of Contents

• Introduction
• Chronology
• The Strategic Situation
• Design and Development
• Technical Specifications
• The Combatants
• Combat
• Statistics and Analysis
• Aftermath
• Further Reading
• Index