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Close Quarters

Author: William Golding
Published: 2022
Format: Paperback, 320 pages
Size: 198 × 129 × 29 mm
Regular price £999
Tax included

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We dispatch most orders within one working day.

Admiralty charts are printed to order. During the busy season from April to August dispatch may take three to five working days due to print queues. If you'd like to know our current dispatch time or if you're up against a deadline please get in touch and we will do our best to help.

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Second novel in Golding's Sea Trilogy

A warship becalmed halfway to Australia descends into surreal madness. Booker Prize-winning historical fiction by the author of Lord of the Flies, introduced by Helen Castor.

Introduced by Helen Castor, lose yourself in an epic naval journey in the second novel in the Booker Prize-winning historical fiction Sea Trilogy by the author of Lord of the Flies.

This tropical nowhere was the whole world — the whole imaginable world.

A decrepit warship is becalmed halfway to Australia, stilled in an ocean wilderness of heat and sea mists. In this surreal, fête-like atmosphere, a ball is held with a passing ship: the passengers dance and flirt, while beneath them seaweed like green hair spreads ominously over the hull. Half-mad with fear, drink, love and opium, both vessel and passengers feel themselves going to pieces: and the very planks seem to twist themselves alive as the ship comes apart at the seams . . .

Praise for Close Quarters

'Fantastic … Gems tumble off the pages … A strong sense of drama … Much of the pleasure of reading his work is his original imagery.'
– Annie Proulx

'No living writer has represented the fragility of man's experience so marvellously as Golding.'
– AS Byatt

'It is in Golding's magnificent, therapeutic, terrifying descriptions of seascapes that the deepest meanings can be found.'
– Kate Mosse

'Stunning . . . As exciting as any thriller.'
Sunday Times

'A feat of imaginative reconstruction, as vivid as a dream.'
Daily Mail

'Tells an utterly absorbing tale, in language of immense force and subtlety.'
Financial Times

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